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18 Mar 2022, 22:28
Lysander Stavrou  Durmstrang 





























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Lysander.──────
(lie · san · duh)--'liberator'-
etymology words here, not much
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Stavrou.
'greek'--(stahv · row)-
etymology words here, not much
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AGE
DOB
SPECIES
ORIGIN
ETHNICITY
YEAR
POSITION
BLOOD STATUS
17
Nov. 13, 2005
Human
Bristol, UK
English
Eighth
Student
Pureblood























─=─ Image ─=─
- APPEARANCE───────────
Like many Stavrous, Lysander has jet black hair. It is naturally curly and falls to the nape of his neck and past expressive brows. He much prefers the way long hair frames his face—often delaying a haircut until the point where it appears shaggy. Compared to his step-mother’s style, his is not too flashy, and instead, right in the ballpark of what a proper boy would choose for himself. He likes coats, blazers, cloaks, and dress shirts, with cuff links and watches as accessories. Black is his self-described colour, only experimenting with others in the form of accents when in the mood. Tall, lean, and toned, Lysander has trained since his early youth for the unmistakable physique of a dancer. He is still growing, targeted for beyond 6’0 one day, well indicated by his appetite. His skin is slightly tan without the freckles inherited by his cousins, nose with a strong, straight bridge and rounded tip. Paired with his hooded eyes are model-like cheekbones that deepen when he smiles. All in all, Lysander is content in his appearance. Girls seemed to like it plenty.















PERSONALITY──────────
On first glance to most people, Lysander has a roguishly charming, magnetic, and friendly personality. Seemingly a normal, respectably-raised teenager, it would befuddle many to realise that there was even a two-faced side to him at all. He’s notoriously slow to anger, at least externally, adopting instead an air of indifference when personally affronted. In severe cases, he is not opposed to emptying the culprit’s pockets. Although more concerned with sports than academics, Lysander knows better than to bring a failing mark home to his parents. He is quite knowledgeable in theory, but has a troubling grasp on the execution. His shortcomings in magical ability has lead to an overcompensation in other areas, namely agility and physical strength. Ballet, Quidditch, and fencing are three of his disciplines shaped by such. He enjoys testing the limits of what he can get away with as if some sort of thrilling experiment and pride is his biggest vice.

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HEIGHT, WEIGHT
PHYSIQUE
MARKINGS

000cm, 00kg
Physique
scars and marks description here

more scars description here


HISTORY
Reducio
Alexander and Lynn Stavrou (née Wycliffe), newly wed, had their eyes set on a long and fruitful legacy. Lynn was a staunch philanthropist and founder of Wycliffe Children’s Charity—a labour of love created in her father’s name and vision. And in his father’s vision, Alexander would join Stavrou & Stannings, family business whose wealth would provide a life of luxury. Seemingly picture-perfect, traditional, and charitable, the school sweethearts had won their in-laws’ good graces.

The blessings came tenfold on the arrival of their first and only child. During a chilly morning on November 13, 2005, the couple welcomed son Lysander-Blaine Cenric Stavrou after a year of marriage. Lynn proved a natural at motherhood. Perhaps a remnant of her profession, her compassion and ease at which she could connect with any child only enhanced her son’s comfortable upbringing. Under her care, Lysander was a “mother’s boy” in every sense of the word, with unrivalled energy and happiness. There was ample time in his later years, she believed, for shaping the boy into a suitable heir.

But her time was nearing. Lynn never realised her dream to fill the home with countless children, nor to witness Lysander’s growth into a respectable man. When Lysander was two, Lynn was killed while hosting an evening event by a wayward curse meant for her husband. The couple’s charity—the ownership of which was then afterwards passed on to a sister-in-law—was brought into question. Why would anyone have any gripe with Alexander Stavrou, youngest and least offensive son of Elliot and Helen Stavrou, and by extension, his wife who had dedicated herself to aiding the hungry and unfortunate? The perpetrator had his comeuppance in the law, but it would not heal Alexander’s grieving.

For two years, Alexander raised his son alone, all the while hounded by guilt and social pressure to remarry. Although sympathetic, his family believed that a mother was too important to deprive of young Lysander, and so Alexander officially branched out for a new wife just days after what would have been his fifth anniversary. Not just anyone would suffice, however. To the Stavrous, marriage required benefit. Just because it was Alexander’s second did not mean the standards were any lower. Art was a favourite pastime of the family and a commodity within their circles. Propelled by their shipping business, the world of art trade was a logical next realm to conquer. In 2009, Alexander silenced concerns with an engagement to Sutton Pierce, notable half-blood artist, art broker, and collector. They married weeks later. Would Lynn understand? He certainly prayed so. Perhaps a marriage for politics and not love would feel less to the man like treachery.

Lysander, on the other hand, retained no memories of his birth mother. Other than curiosity of her person and accepting her name as a moniker, Lysander felt he didn’t necessarily need them—not with Sutton now raising him. Sutton showed as much dedication to motherhood as Lynn, albeit questionable at times, no doubt fuelled by her chronic eccentricities. While Lynn was firm, but forgiving in her moral teachings, Sutton’s border-line obsessions with the abstract and all things shiny pushed Lysander into a downward streak. Now nearing the age of nine, he had private tutoring like most pure-blood children who could afford it, and ballet lessons he’d barely nudged Sutton for after his father’s clear-cut refusal. Lysander had accompanied his step-mother to countless auctions, theatre shows, and operas, which Alexander increasingly began to see as distractions. A young man couldn’t be raised on all play and no work.

Alexander knew patience was a virtue, but his son was nine and a first magic had yet to surface. With his younger niece’s, Phaedra’s, occurring years prior, the man felt as if running on limited time. A squib first-born son would be an immeasurable disappointment. Eventually, it happened, though not in any condition worth celebrating. When Lysander, returning home from an auction, was caught with a tiara pilfered right out of the highest bidder’s possession (for the sole desire of gifting it to his new baby sister Constance), Alexander lurched to wrestle it from his hands. He met empty air, the accessory having vanished to another room in his son’s panic. Alexander felt relief that his son was magical, but had enough of his routine and disobedient behaviour. While the tiara was returned on the guise of an accident, Alexander decided to send the boy to Durmstrang Institute in hopes it’d straighten him out, and most importantly, separate him from Sutton’s shameful kleptomania.

Lysander challenged him to no avail. At the age of ten, he began his studies at Durmstrang. With his father in strict correspondences with staff, Lysander laid low, seemingly turned over a new leaf if not for an inconspicuous collection of quills and other minor objects. The school’s curriculum was interesting at least, earning him slightly above average marks where paperwork was concerned. The same could not be said for his shoddy spell-work. Instead, Lysander’s strengths lay in his raw, unmatched athleticism. He had long eyed the Durmstrang Quidditch Team, especially after exhausting his supply of new castle walls to scale and mirrored rooms to practice pirouettes. One day Lysander wrote home for his father’s blessings to try out for Quidditch. On the condition that his marks and conduct remain steady, he received in return a shiny broom and letter announcing Sutton’s latest pregnancy. Constance had scribbled her wishes for a sister.


REPUTATION
Reducio



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P.S.xx𓆩*𓆪xxL.S.

18 Mar 2022, 22:28
Lysander Stavrou  Durmstrang 
EXTRACURRICULAR
QUIDDITCH PLAYER | First String Chaser

STATS. (+8 sports win; total 73)
STA: 13
EVA: 22
STR: 14
WIS: 5
ARC: 0
ACC: 19


(1, 2, 3, 4, 5, 6, 7, 8)


ABILITIES:
Evasive Maneuvers I
Reducio
Being nimble was the world’s first impression of Lysander. As if loaded with unbridled energy from those many months spent bundled in a bassinet, the boy’s agility surpassed the average child’s the moment he could balance himself on both legs; a habit of tiny feet pattering from dinner when a picky palate went unimpressed to a masterful weave between his father’s legs to chase after a crup at a fair were just a few examples of what gave his “terrible-twos” hyperactivity its namesake. Initially, such a trait was endearing. To his father, the boy’s energy was a powerful reinforcement that he was at least raising a happy and adventurous son how his late wife would have wanted.

But it was not conducive for a widowed father to balance a rowdy, curious child with work that called for travel. For an extra set of eyes while away, Mr. Stavrou briefly employed the help of Ms. Florence, a nanny no younger than her late-fifties. Lysander was wise enough to understand the woman’s purpose and mischievous enough to put it to test, sprinting away from punishment and delighting in the chase. If asked, Florence would not sugarcoat his difficulty and theorise that his behaviour must have been the tragic lashing-out after a mother’s passing. In truth, Lysander was just simply not one for sitting still.

The only person to realise this was Sutton Pierce, his father’s second wife in 2009. Like most pure-blood children, there came a time to prioritise private education over play. Lysander was not lacking in smarts, but rather struggled to focus, known by his tutors to become fidgety in his seat from long hours without proper stimulation. Rather than exhibit force like many in his life to abide by their strict ideals of a curriculum, his new stepmother encouraged Lysander to flourish in an environment of his choosing. Perhaps what he needed was an outlet, and so Sutton enrolled the five-year-old in dance.

This gracious understanding on Sutton’s part led to Lysander’s earliest distinct hobby; one that would become a lifelong infatuation with the arts and eventually other sports. A reputable ballet company within her own social connections trained discipline, physical strength, and grace, while fulfilling his desire to challenge the limits of the human body. To satisfy his daredevil side, climbing was done on the side after exhausting every area of horizontal space at his father’s estate. Trees, roofs, and ledges provided beautiful viewing leverages of which he himself would later master for parkour.

WC: 416
Evasive Maneuvers II
Reducio
Lysander’s classical dance training wasn’t just good for lifting girls in a pas de deux. Having quick and flexible footwork carried over to other disciplines he found worthwhile, such as fencing. It was his father’s idea to introduce him to the martial art in preparation that more people would seek harm to his firstborn son as they had himself and his wife. Prancing was nice and all, but even if swordsmanship seemed obsolete in the presence of magical society, a person could never be too ready for a variety of combat types in the dangerous world they inhabited. Lysander may have been too young at the time for his own wand, but his father owned quite the vast collection of rapiers properly vetted from his own experience.

In fact, his father became his first teacher, but his impressive collection would not find itself in the boy’s eager hands until he fulfilled a basic mastery of foil; the conventional route for a beginner before dabbling in heavier épée or sabre. Like all things to learn, the basics came first—and there was nothing more basic than to stick ‘em with the pointy end—but there were rules too. Patience eased the learning process. Lysander didn’t have much of it, childishly inspired then by heroes like the Three Musketeers, but he was firmly dedicated and competitive as Stavrous were notorious for. While dance had given him an excellent, solid core and leg strength, years of training fencing with his father and eventually other coaches pushed his speed into seemingly supernatural realms. Duels with Lysander were guaranteed to start and end quickly if at all, opponents often unwilling to challenge his bullet-like speed after seeing it in action.

It didn’t help that his own tall, lithe figure gave Lysander an extended reach for more aggressive tactics. Long arms and perfected hand-eye coordination kept opponents on their toes and victim to unforgiving exchanges of thrust and parry. At times, it risked him becoming particularly vulnerable to what was perhaps his only weakness—attacks at close distances—but it didn't take long for him to understand and adjust to these obvious plays, footwork and parries sufficient to widen the space and shield his once open defences. Like the “physical chess” the sport was considered, Lysander was quite literally almost always one step ahead of those he encountered on the piste.

One of the best things about being so nimble was that it was practically always more useful than not. It provided protection from wayward spells or fists and a means of escape for what was occasionally a smart mouth. With a magical competency that was considered disappointing by both family and himself alike, Lysander learned to make up for such a shortcoming with his lightweight and precise agility. No one could doubt his physical inclinations.

WC: 466
Charmer
Reducio
It was no secret that Lysander was a bit of a charmer. He knew it too. Cute, innocent-like features as a child easily wrapped mothers and aunts alike around his little finger no matter how much of a troublemaker he was. As he grew, said features would make way into sharp, conventional looks; the typical tall, dark, and handsome type that mirrored many of the men in his family. His appearance certainly helped better how he was perceived, but looks alone weren't what made him so personable and magnetic.

A wide array of hobbies and skills would also draw in personalities from all walks of life to befriend him. Solemn, artistic types like painters and dancers could mingle together with unreserved jocks as long as Lysander was present as a common denominator to guide conversation. His extroversion and varied interests made others find him rather fascinating and wise. Adaptive too. A pure-blood upbringing like his required a certain social intelligence to successfully navigate any circle, atmosphere, or situation he found himself in. Charm, however, was a multifaceted trait, and not always utilised for the purest reasons.

On one hand, his charm, when genuine, bred mutual trust and loyalty in those closest to him. Chivalry was not dead. It was alive and well within Lysander. Even as a sole boy, he exhibited courteous and gentlemanly qualities towards those he was brought up to believe needed it; small children, even smaller animals, the sick, and women, although his assumptions on the latter group’s capabilities received its fair share of chewing outs—magic was considered a great equaliser, after all. Nonetheless, upon the birth of his younger half-sister Constance, Lysander took it upon himself to honour a big brother’s role, exhibiting a natural desire to protect the newest and frailest member of his family. Eight years his junior, Constance looked up to his amiability and was grateful for his protection, even if sometimes overbearing and self-fulfilling.

On the other hand, his charm could be deceptive. Although Lysander would be hard-pressed to admit it, his alluring nature also served as a shield from the more undesired aspects of himself. Namely, his difficulties in wand work, which day by day were becoming more difficult to justify as he neared his adolescence. Immensely sensitive to the mere question of his magical prowess, a wide smile and a suave change of subject were just two of his overcompensating measures to outright avoid the topic altogether. Another was his tendencies for thieving. What may have begun as stealing for attention or benefit was, deep down, just a means of feeling powerful, if only for a moment. It was easy to sweet-talk his way into a person’s trust and thereby, their material belongings. By Merlin, if he could not actually become a decent wizard, he could certainly convince a room with a booming voice and endearing outward disposition.

WC: 478
Fearless
Reducio
Perhaps unsurprisingly, he was not a boy with many fears. He was practically born a daredevil. Unlike the common sense often employed by others in his family, Lysander operated on pure risk taking, preferring to ask himself “what ifs” and “why nots” rather than harbour regrets that he’d let a good opportunity pass him by. Gradually, this sort of mentality made him a fearless type—not so fearless in that he never felt or found things threatening, but in that he was willing to approach danger in the first place and significantly more capable than others at keeping a cool head.

His impulsivity and drive to prove himself only furthered his acts of valour. When not stuck indoors with his tutors and countless texts to pour over, young Lysander would venture elsewhere during his free time for entertainment. There were only so many stuffy interiors a boy could roughhouse in before being shooed outside over a broken vase, and so nature became his element where he felt least restricted. Among nature, he had the challenge of scaling trees and small cliffs. Though the latter were few and far between where he resided, his father’s property did have ample woodland; spiralling, birch forests creating dense canopies near the estate’s northeast border. Solid ground having been thoroughly explored during his early years, the trees were still relatively unconquered in comparison.

They wouldn’t be for long. Climbing, unlike fencing or dance, began on his own terms and was done recreationally—a whisk of curiosity that stuck as a hobby. There was no competition or right or wrong technique to it, just raw climbing as anyone with the physical ability could muster. The fear of heights never manifested within Lysander as it did so commonly in others, early exposure doing wonders. To contrast, he’d somehow roped his cousin into climbing one summer; some sort of business going on between their respective fathers. For all he knew, ascending a tree was no big deal, regardless how powerful the winds were or how wobbly the branches. But witnessing her breakdown, paralysed twenty feet in, supplied the boy with a major understanding of terror. Lysander vowed he would never find himself in such a position.

When sent to Durmstrang and left out of range of his parents’ every observation, trees would become roofs, ledges, and castle walls. Parkour, the muggles called it allegedly. Then he challenged luck even further in the form of flight, taking his broom with him to try out for the Quidditch team. A grip on the fear response was especially beneficial then; a role as barbaric and dangerous as chaser left no room for mental error.

WC: 441

Cunning is the art of concealing our own defects, and discovering other people's weaknesses.
STA: 15 | EVA: 9 | STR: 2 | WIS: 20 | AP: 10 | ACC: 14
Sixth Sense | Evasive Maneuvers | Perfectionist | Poison Resistance